{"id":1681,"date":"2019-12-08T11:03:37","date_gmt":"2019-12-08T11:03:37","guid":{"rendered":"http:\/\/huihuicheng.com\/?page_id=1681"},"modified":"2019-12-08T11:03:37","modified_gmt":"2019-12-08T11:03:37","slug":"worklist","status":"publish","type":"page","link":"https:\/\/huihuicheng.com\/index.php\/worklist\/","title":{"rendered":"Worklist"},"content":{"rendered":"\n<p class=\"has-black-color has-text-color has-normal-font-size\" style=\"line-height:1.6;\"><strong>Ensemble <\/strong><br \/><strong>Pandora&#8217;s box<\/strong> 2021 (17\u2019)<br \/>(Sop. Fl. Vc. Pf. )<br \/><strong>M\u00e9ng Di\u00e9 <\/strong>for ensemble and video 2021 (32\u2019)<br \/>(Fl. Ob. Cla. Accrd. Vc.)<br \/><strong>Your humanity degrees<\/strong> for large ensemble 2020 (17\u2019)<br \/>(Fl, Ob, Cla, Bsn, Sax, Hrn, Trp, Trb, Tb, Cb, Pf, 2Perc)<strong><br \/>Sonic leak <\/strong>2020 (15\u2019)<br \/>(e.gtr, sax. perc. pf.)<br \/><strong>The tower window towards the sea <\/strong>2019 (3\u2019) <strong>\u00a0<br \/><\/strong>(fl. cl. vln. vla. vc. cb. pf and tape)<br \/><strong>Narcissus and Echo<\/strong> <strong>2018 <\/strong>(12\u2032)<strong><br \/><\/strong>1.version<strong> <\/strong>(sop. alt. cl. vc. per. &amp; electronic+video projection)<br \/>2.version (sp. alt. tape)<br \/><strong>SEA M.S.<\/strong>\u00a0for Sheng, Ensemble and tape 2018 (13\u2032)<br \/>(Sheng. Cla. Vc. Perc.)<br \/><strong>Your smartest choice<\/strong>\u00a02017 (17\u2032)<br \/>4 musicians, 4 channels tapes and participant\u2019s smartphones<br \/>1. version: (Vln. Vla. Pf. Hp.)\u00a02. version: (Vln. Vla. Pf. Cla.)\u00a0<br \/><strong>Theater mask<\/strong>\u00a02015 (8\u2032)<br \/>(Fl. Ob. Cla. Bsn. Hrn. Trp. Trb. Perc. Vln. Vla. Vc. Cb.)<br \/><strong>Kinetic distance I<\/strong>\u00a02013 (17\u2019)<br \/>(Fl. Cla. Pf. Per. Vln. Vc.)<br \/><strong>Nordbahnhofstra\u00dfe <\/strong>2011 (8\u2019)<br \/>(trp. trb. gtr. pf. vc. 2perc.)<br \/><strong>Ruin<\/strong>\u00a02009 (13\u2019)<br \/>(Fl. Cla. Per. Vln. Vla. Vc.)<br \/><strong>In the corner<\/strong>\u00a02006 (11\u201930)<br \/>(Cl. Git. Vc. Pf. Perc.)<br \/><strong>Aftersound<\/strong>\u00a02005 (8\u201920)<br \/>(Sheng Zheng Pipa Gtr. Fl. Ob. Cla. Per. Vln. Vla. Vc. Cb.)<\/p>\n\n\n<p class=\"has-normal-font-size\" style=\"line-height:1.6;\"><strong>Chamber<\/strong><br \/><strong>The tides soul<\/strong> 2021 (12\u2019)<br \/>trio version (sop. Fl. Vc.)<br \/><strong>Calling sirens <\/strong>2019 (17\u2019)<br \/><strong>(<\/strong>Vln. Vc. Pf. dance or without dance)<br \/><strong>Meine Inseln <\/strong>2018\u00a0 (6\u2019)<strong> <br \/><\/strong>Soprano, drum set and tape<br \/><strong>Ausgeschriebener Umlaut<\/strong> 2017 (10\u2019)<br \/>soprano, Violin and tape<br \/><strong>Kinetic distance II\u00a0<\/strong>2014 (10\u2019)<br \/>(Cello and Shakuhachi or Cl.)<strong><br \/>MoMo<\/strong> 2013 (11\u2019 )<br \/>(Erhu Pipa Sax.)<br \/><strong>Mitschwingen<\/strong>\u00a02011 (13\u201920)<br \/>(harpsichord and organ)<br \/><strong>Richtungslos<\/strong>\u00a02010\/11 (7\u201948)<br \/>(Trumpet and trombone)<br \/><strong>Ripples<\/strong>\u00a02007 (11\u2019)<br \/>(Piano trio)<br \/><strong>Qiu Se<\/strong> 2006 (12\u2019)<br \/>(Pipa, sheng, pf.)<br \/><strong>Feng Sheng Ming<\/strong> 2004 (13\u2019)<br \/>(String Quartet)<\/p>\n\n\n<p style=\"line-height:1.6;\"><strong>Solo pieces<\/strong><br \/><strong>The tides soul<\/strong> 2021 (12\u2019)<br \/>cello and electronic<strong><br \/>The comet tails <\/strong>2020 (9\u2019)<br \/>harp and electronic<br \/><strong>Meine Inseln <\/strong>2018\u00a0 (6\u2019)<br \/>drum set solo and tape<br \/><strong>Ausgeschriebener Umlaut <\/strong>2017 (10\u2019)<br \/><strong>(for soloist who plays violin with voice)<br \/>Metamorphoses\u00a0<\/strong> 2018 (6\u2032)<br \/>cello and tape<br \/><strong>Messenger<\/strong> 2017 (13\u2032)<br \/>for prepared solo upright piano or concert piano<br \/><strong>Lamatamayabalaba<\/strong> 2015 (3\u2032)<br \/>voice solo<strong><br \/>Me Du \u00c7a<\/strong>\u00a02016 (6\u2032)<br \/>for soprano and live electronic<br \/><strong>Et\u00fcde@F<\/strong>\u00a02015 (16)<br \/>solo flute and live electronic<br \/><strong>Kinetic distance III<\/strong>\u00a02014(12\u2032)<br \/>Pipa and live electronic<br \/><strong>Et\u00fcde@S<\/strong>\u00a0 2014 (13\u2032)<br \/>T\u00e1rogat\u00f3 (or Saxophone) and live electronic<br \/><strong>Vibration\u00a0<\/strong>2010 (16\u201921)<br \/>percussion solo<br \/><strong>Dream Illusion Bubble Shadow<\/strong> 2009 (11\u2019)<br \/>Cello Solo<br \/><strong>Flowing in <\/strong>2006 (7\u201914)<br \/>Accordion Solo<\/p>\n\n\n<p style=\"line-height:1.6;\"><strong>Choral<br \/>What love tells me I<\/strong> 2014 (9\u2019)<br \/>(Sop. Mez. Alt. Ten. Bar. Bas.)<br \/><strong>What love tells me II\u00a0<\/strong>2015 (6\u2019)<br \/>(Sop. Mez. Co.ten. Ten. Bar. B.bas.)<br \/><strong>What love tells me III<\/strong> 2018 (10\u2032)<br \/>(Sop. 2Mez. 2Alt.)<br \/><strong>Tian Wen I <\/strong>2013 (12\u2019)<br \/>(2*Sop. Mez. Alt. Ten. Bar. Bas, Fl. Vc. Org. live electronic)<br \/><strong>Tian Wen II<\/strong>\u00a02018 (10\u2032)<br \/>(3* sop. alt. ten. bas. 2fl. 2cla.2bsn. hn. trp. per. pf. vc. cb.)<\/p>\n\n\n<p style=\"line-height:1.6;\"><strong>Theater and performance<br \/>Your turn<\/strong> card play performance 2019 (15\u2032)<br \/>for 6 singers (or performers) and audience<br \/><strong>Your smartest choice<\/strong>\u00a02017 (17\u2032)<br \/>4 musicians, 4 channels tapes and participant\u2019s smartphones<br \/>1. version: (Vln. Vla. Pf. Hp.)\u00a02. version: (Vln. Vla. Pf. Cla.)\u00a0<br \/><strong>Durch die Blume for Music Theater<\/strong>\u00a02014 (14\u2019)<br \/>for 2 female, 2 male voices and live electronic<\/p>\n\n\n<p style=\"line-height:1.6;\"><strong>Ohne Gew\u00e4hr, Music Theater 2012<\/strong>\u00a0(60\u2019)<br \/>(2 Sop. Ten.\u00a0 vocal ensemble, instruments ensemble and tape<br \/><strong>Music theater &#8211;\u00a0 Nacht der Seeigel (The Night of the Sea Urchins) <\/strong>2019 (60\u2019)<br \/>for three soloists, ensemble and tape<br \/>Composed by Huihui Cheng, Diana Syrse, Mischa Tangian<strong>Orchestra<\/strong><br \/><strong>Shining<\/strong> 2011 (13\u2032)<br \/><strong>Synthesis<\/strong>\u00a02007\/14 (8\u2032)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ensemble Pandora&#8217;s box 2021 (17\u2019)(Sop. Fl. Vc. Pf. )M\u00e9ng Di\u00e9 for ensemble and video 2021 (32\u2019)(Fl. Ob. Cla. Accrd. Vc.)Your humanity degrees for large ensemble 2020 (17\u2019)(Fl, Ob, Cla, Bsn, Sax, Hrn, Trp, Trb, Tb, Cb, Pf, 2Perc)Sonic leak 2020 (15\u2019)(e.gtr, sax. perc. pf.)The tower window towards the sea 2019 (3\u2019) \u00a0(fl. cl. vln. vla. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":3,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1681","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/huihuicheng.com\/index.php\/wp-json\/wp\/v2\/pages\/1681","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/huihuicheng.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/huihuicheng.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/huihuicheng.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/huihuicheng.com\/index.php\/wp-json\/wp\/v2\/comments?post=1681"}],"version-history":[{"count":0,"href":"https:\/\/huihuicheng.com\/index.php\/wp-json\/wp\/v2\/pages\/1681\/revisions"}],"wp:attachment":[{"href":"https:\/\/huihuicheng.com\/index.php\/wp-json\/wp\/v2\/media?parent=1681"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}